Runaways

Powerful production with a cast made up mostly of students aged 12 - 19 is a fine tribute to the late Elizabeth Swados’ musical about the generation gap and society’s ills.

Posted on July 12, 2016 by Victor Gluck, Editor-in-Chief in Musicals, Off-Broadway

Matthew Gumley (center) and cast of “Runaways” (Photo credit: Joan Marcus)

[avatar user=”Victor Gluck” size=”96″ align=”left” ] Victor Gluck, Editor-in-Chief[/avatar]The most remarkable thing about the Encores! Off-Center revival of the late Elizabeth Swados’ 1978 musical Runaways is that it is as fresh as when it was written almost four decades ago. The concert staging is perfect for this revue like show which deals with youthful alienation and abuse, making it feel extremely contemporary. Credit director Sam Pinkleton and a cast of 25 high-powered multi-racial and multi-ethnic performers, mostly New York City school children from 12 – 19. Among the performers are a deaf actor working in sign language (Ren), two actors who perform in Spanish (Claudia Ramirez and Joshua DeJesus), and a transgendered actress (MJ Rodriguez). It would not be hyperbole to say that among this cast are the stars of tomorrow.

Swados, who died of cancer at 64 this past January, created the show through interviews with street kids and other teenagers for the Public Theater where it opened in February of 1978. It moved to Broadway on May 13 of that year, ran for seven months, garnering five Tony Award nominations, four for Swados who wrote, composed, choreographed and directed the musical. Like many of her cutting edge shows, the score is eclectic containing pop, folk, Latin, blues, reggae, disco, and lyrics that sound like what is today called hip-hop. The show’s 34 numbers include songs, monologues, dance and poetry. While the format may have seemed strange in 1978, it now seems contemporary and mainstream.

Sophia Anne Caruso in a scene from “Runaways” (Photo credit: Joan Marcus)

Pinkleton and choreographer Ani Taj, both of whom had studied with Swados at New York University where they first met, have reconceived the fluid show around the talent that had been cast so that the songs have been assigned differently than in the 1978 productions. Performed on Donyale Werle’s set which resembles a commune, squat or a drug den, and lit by Mark Barton in such way as to become a character in the show, Runaways is actually a metaphor for teenage angst. The topics of the songs and monologues include the generation gap, teenage preoccupations, the search for heroes, anxiety about troubling events in the news, abusive family relationships, school problems, dreams of the future, and bad parenting.

The songs and monologues are equally divided so that all in the cast get to shine in one number or another. Many are standouts: Frenie Acoba delivers the furious “This Is Very Serious (Appendectomy)” in which she describes a forced, necessary operation on her doll/child. In “Current Events,” Sam Poon makes his report to the class on world crises but worries most about being flunked by the teacher. Sophia Anne Caruso (who has appeared in David Bowie’s Lazarus in 2015 and Jennifer Haley’s The Nether in 2014) portrays a 13-year-old girl in “The Song of the Child Prostitute” who enjoys her life of being protected by her pimp – for now. Jeremy Shinder, a bundle of nervous energy, plays a young man who sees the world as though he were a movie director (“Heroes”). Ren and Siena Rafter perform several numbers in which Ren signs and Rafter vocalizes them like “You Don’t Understand” and “This Is What I Do When I Am Angry.”

Kenneth Cabral and cast in in a scene from “Runaways” (Photo credit: Joan Marcus)

Kenneth Cabral and cast in a scene from “Runaways” (Photo credit: Joan Marcus)

Several powerful group songs include “Enterprise” (ways of surviving and making money) and the witty “Where Are Those People Who Did Hair?” which criticizes those who have joined the establishment and sold out (“They spent a lot on Yoga, Freud and Zen.”) Some of the numbers have iconic lines which still resonate after all these years: “The world is an orphanage for grown-ups” (“Spoons”), “We are not strangers, In fact I know you well,” and the stunning final reprise: “Let me be just a kid out in the playground/ Let me be young before I get old” (“Let Me Be A Kid”). Among the talented cast, special mention goes to Matthew Gumley and MJ Rodriguez who turn their white hot anger into art.

While at first the format seems scattershot, by the end it is greater than the sum of its parts. Credit is also due to the dynamic onstage band led by music director Chris Fenwick which appears to back up all 34 of the numbers. The raw energy channeled on the City Center stage by director Sam Pinkleton is remarkable considering the youthfulness of the cast. This may be why this show which deals with only serious topics is so exhilarating. These are all performers that we should be hearing from very soon again.

Runaways (July 6 – 9, 2016)

New York City Center Encores! Off-Center

New York City Center, 131 W. 55^th Street, in Manhattan

For tickets, call City Tix at 212-581-1212 or visit http://www.nycitycenter.org

Running time: 85 minutes with no intermission

About Victor Gluck, Editor-in-Chief (1039 Articles)

Victor Gluck was a drama critic and arts journalist with Back Stage from 1980 – 2006. He started reviewing for TheaterScene.net in 2006, where he was also Associate Editor from 2011-2013, and has been Editor-in-Chief since 2014. He is a voting member of The Drama Desk, the Outer Critics Circle, the American Theatre Critics Association, and the Dramatists Guild of America. His plays have been performed at the Quaigh Theatre, Ryan Repertory Company, St. Clements Church, Nuyorican Poets Café and The Gene Frankel Playwrights/Directors Lab.