Blackbird
In his thankless role as Ray, Grossman’s performance is perpetually defensive, harried and out of breath. As unlikable a character as Ray is expected to be, Grossman doesn’t quite manage to bring enough variation, warmth, or earnestness to the part to engender the compassion or believability needed to sustain it. Ravera seems physically uncomfortable in the character of Una. She speaks her lines with intention, but she awkwardly drags herself around the stage as though she’s never worn heels before, and her body belies her words, words which are sometimes lost in her thick accent and lack of projection. It’s surprising to see tears come to her eyes when there doesn’t seem to be enough organic truth coming out of her lines to warrant them. [more]