Twyla Tharp and Three Dances
From 1976, “Country Dances” represented the post-experimental avant-garde phase after breakout success with her ballets for major dance companies. From 1980, there was “Brahms Paganini,” her entrée into her hybrid style combining her eccentric, seemingly casual movements with the classical ballet vocabulary and from 2016, “Beethoven Opus 130,” virtually a classical ballet with quirky touches. [more]
