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Angela Harner

Entangled

May 1, 2019

Culturally relevant, emotionally resonant but languidly conceived, "Entangled" dramatizes the issue of gun violence in the contemporary United States. Playwrights Gabriel Jason Dean and Charly Evon Simpson’s structure is that of alternating monologues for its two characters. The play’s chief flaw is their overly literate dialogue that would be suitable for a graduate writing seminar or one of Edward Albee’s more rococo works.  “Inside, the funeral home smells like potpourri and middle-class despair.” [more]

Phoenix Rising: Girls and the Secrets We Keep

July 10, 2016

"Phoenix Rising: Girls and the Secrets We Keep" takes place in two worlds: the New York CBGB punk scene of 1985, and a dark, Greek mythological other world of indeterminate time and place. In 1985, a high school social worker by the name of Grace mentors an after-school, trauma therapy session. In the other world, the Archetypal Mother/Storyteller presides over her “damaged souls” and reads from an ancient tome, the “Phoenix Book.” [more]

Utility

February 8, 2016

Schwend’s dialogue is realistic, believable, and true to life, as are the characters. As a play, however, it is a bit of a downer as we watch Amber become wearier without any relief in sight. Aside from Chris who is always putting everything off until tomorrow, Amber’s mother (who has been conned into liking him as a good father) is always begrudging about helping out though she lives down the block and doesn’t have anything else to do. The atmosphere and the characters are real, but each scene is just more and more of the same which becomes depressing and tiresome – just like Amber’s life. There is also the question of where the money comes from to buy all of the items that are carried in the door – unless the family is living on credit card debt which is never mentioned. This is also the sort of play where we hear a get deal about the children Janie, Max and Sammy, but the author manages to keep them off stage all evening. [more]