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Anthony Dean

When We Went Electronic

October 30, 2018

Ms. Stephens has a substantial pedigree with her previous works having appeared at prestigious institutions and winning awards. The piffle on display here does exhibit craft, discipline and structure but to little effect as it sputters out after 70-minutes. The title is an Anthony Burgess’ "A Clockwork Orange" attempt at an invented slang. It refers to getting high and is tiresomely repeated countless times. “Look book” is another catchphrase that gets run into the ground. The dialogue is nonsensical, vulgar, often coarse and is supposed to be funny. [more]

In the Penal Colony

September 9, 2018

Director Miranda Haymon’s electric staging of her pared down yet faithful adaptation is filled with dialogue characteristic of Kafka and bracing sequences. Basketball is a key visual metaphor as the performers mime shooting hoops, run in place, do pushups and vigorously glide from bit to bit. Ms. Haymon’s commanding technique is combined with technical production achievements. Zack Lobel’s intense lighting design and sound designers Anthony Dean and Matthew Catron’s blaring whistles and pulsing renditions of electronic music all yield to an entrancing presentation. This plays out on scenic designer Tekla Monson’s stark bare black-accented set that is backed by a mirror. [more]

Chatter

July 5, 2018

Mr. Kahn’s dialogue is a witty amalgam of up to the minute lingo, well-observed lifestyle data, psychological insights and emotional depth that all realistically and artfully conveys the characters’ Millennial sensibility. Allusions to "Friends" and "Sex in the City" abound, apps are analyzed, real estate is obsessed over and salaries are disclosed. The passage of time is connoted by Claire’s birthdays that flow from one to the next. [more]