Ascaf

Naharin is known for having “invented” a movement language called Gaga.  Frankly, I’ve never been able to distinguish Gaga from any other movement palette.  If Gaga means disconnected bits of movement utilizing hints of modern, ballet, hip-hop, mime and even ethnic movements, then it’s not particularly original.  All these movement vocabularies were on display in “Naharin’s Virus” whose sixteen-member cast was put through their paces for an overlong hour.  (The work could easily have been edited down by at least twenty minutes and been more effective, particularly by eliminating a long monologue about a self-abusing young lady.) [more]