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Avery Whitted

Chains

June 27, 2022

The Mint Theater Company continues its three play mini-festival of the forgotten plays of Elizabeth Baker with "Chains." Given a polished – maybe too polished – production like the earlier "The Price of Thomas Scott," this play is also problematic, but in another way. Unlike her contemporaries John Galsworthy, George Bernard Shaw and Harley Granville-Barker, Baker’s "Chains" has a very narrow focus: the discontents of the lower middle-class white collar folk. All of the characters in the play’s first half (the script’s Act I and II) do nothing but either complain about the grind of their daily six-days-a-week jobs (half-holiday on Saturday) or laugh at those who would give up a steady employment. You would think that back in 1909 when the play was written there wasn’t anything else to talk about. Jenn Thompson’s direction is conventional and sedate where something more animated might have been more to the point. [more]

Against the Hillside

February 8, 2018

The production is not helped by William Carden’s heavy-handed direction.  Scene transitions are punctuated by sound designer and composer Shane Rettig’s blaring, pulsing and overwhelming original electronic music. In near darkness, stage hands wearing black appear to rearrange furniture and set props.  This all becomes formulaic and distracting. Carden’s physical staging is rudimentary and the actions flow weakly. Most unnerving is that Mr. Carden has the actors speaking rapidly and being overly emphatic for much of the time and this sets an artificial tone. [more]