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B Carty

When My Cue Comes

August 4, 2024

The cast does a beautiful job interpreting their characters. Watson plays Reynaldo as an anxious, emotionally fragile person ready to fulfill their employer's slightest request. Moore imbues Jacques de Boys with the haughty imperiousness of someone who feels his position is one of substance and importance, even if only for a brief moment on stage. Ethridge puts an interesting spin on his Boatswain, giving him a laid-back, almost California surfer vibe. It is not quite what one may expect from a character in a 17th century play but the characterization provides an interesting contrast. Parks embodies the Stage Manager with a flat-affect, matter-of-fact efficiency as expected until she reveals an inner child excited about trying new ways of being. DeBoer gives The Messenger an energy and perspective that delivers the play's central theme by showing the other characters and the audience that it is possible to escape the limitations of a static definition of self and explore the wonders of imagination. [more]