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Brian Hutchinson

How to Transcend a Happy Marriage

March 30, 2017

Marisa Tomei excels as George, the narrator of "How to Transcend…" --and of her own story. Thanks to Tomei’s vocal and visual expressions, we constantly share in George’s ongoing surprise, as she graduates from naivety to knowledge. In the end, it is George who has the most “transcendent,” and religious, experience. (It is not insignificant that we’re told George is the only Catholic in the group.)“It seems like you have omniscience,” says George, in her closing monologue, “when you can talk to the audience in a play.” And talk to us, she does, in the playwright’s smart, yet snappy language. Consider George also telling us that Jenna, “over time forgave us,” after walking in on her parent’s participating in a sex orgy. And “the trauma of seeing her parents’ aberrant sex lives up close--it became an anecdote in a college application.” Or consider David’s saying: “I’m from everywhere. And nowhere. I moved constantly as a child…. as a result, I don’t really believe in nationality.” [more]

Pocatello

December 18, 2014

This brilliant production of Samuel D. Hunter’s "Pocatello" is characterized by tremendous depth in characterization and engaging simplicity in presentation. Leo Tolstoy famously observed, “All happy families are alike; each unhappy family is unhappy in its own way.” Here, a clash over gluten-free pasta becomes a memorably chilling pretext for psychological warfare. [more]