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Cara Seymour

1984

July 13, 2017

Icke and MacMillan’s version is tricked up with much multimedia, sound and lights, and disorientation. Faithful to the book, it claims to be the first adaptation to include Orwell’s appendix supposedly written years after the events of the novel. The first third of the play which mixes past, present and future would be very hard to follow for someone who has not read the book. For two-thirds of the play, Chloe Lamford’s set is a wood paneled library or reading room which must make do for an office cubicle, an office cafeteria, an antique shop, a meeting room, a path through a forest, and the home of the hero, Winston Smith. The last third of the play which depicts the reeducation of Winston, i.e. torture and brainwashing, is very graphic and as such difficult to sit through; the book’s description, however, which drew a curtain over the actual violence made it seem like it went on for months or years. [more]

Paris (Company XIV)

October 27, 2016

Company XIV has applied its inimitable Baroque-Burlesque style to the Greek myth of the Judgement of Paris for the second time and come up with Paris, an exotic and erotic adults-only entertainment that is like nothing else you will see this year. Conceived, directed and choreographed from the fevered imagination of Austin McCormick, Paris combines the arts of dance, opera, circus, theater, storytelling and high fashion to tell its story of the competition between the goddesses Athena, Juno and Venus for the Golden Apple. As you may know, the future outcome was eventually The Trojan War. [more]

The Village Bike

June 26, 2014

A very visceral play, The Village Bike is not for prudes; on the other hand, it should open a conversation that is long overdue in our theater concerning men and women's sexuality as it is understood today. [more]