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Caroline Grogan

Arcadia

November 17, 2023

This being Bedlam famous for its experimental revivals, the second act is handled differently. The audience is asked to leave their seats in the amphitheater and when they return are given other seats now arranged on what had been the stage of the theater before. The second act then takes place mostly in the seats that were just vacated. Unfortunately, as both acts are supposed to take place in the same setting this is rather distracting. The opening of the second act is a speech given by Bernard which makes perfect sense in what now looks like a college lecture hall or an amphitheater but the rest of that act makes little sense in such a setting. In each act, a character enters and is made to walk through one of the rows of the audience, not only breaking the fourth wall of the theater so to speak but also inconveniencing everyone seated in that row. [more]

Bedlam’s Persuasion

September 29, 2021

Bedlam’s 2014 production of "Sense and Sensibility," adapted by Kate Hamil from the novel by Jane Austen, and directed by Eric Tucker, set the bar so high for cleverness, originality and wit that we have come to expect this level of expectation from all of their future offerings. Unfortunately, their stage version of Austen’s last novel "Persuasion," a tale of mature love and second chances by first time playwright Sarah Rose Kearns, does not work as well. Among the problems are so much doubling and tripling that it becomes difficult to keep the characters separate and a lack of humor and irony that was inherent in the original material. Tucker seems to have forgotten that this should be a comedy of manners. [more]