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Carrie Compere

“Daddy”

March 13, 2019

Jeremy O. Harris’ “Daddy” is the work of a unique voice, a little self-indulgent in its length, and a little underwritten in its characterizations. It attempts to shock with its use of nudity and sadomasochistic sex, but nothing we have not seen before. The play’s message is not entirely clear but the play is provocative nevertheless. It is a work for the mature playgoer who wants to see a new direction that our theater is heading. [more]

The Golden Apple

May 13, 2017

Handsome musical theater leading man Ryan Silverman is a commanding Ulysses with his operatic singing. Jeff Blumenkrantz is marvelously humorous and pitiful as Menelaus, Helen’s jilted husband. N’Kenge is fierce and bewitching as Mother Hare, a soothsayer-like figure. Ashley Brown is wonderfully comic as the mayor’s wife. Though silent as Paris, the youthful Barton Cowperthwaite’s superior ballet skills make a great impression. [more]

The Lightning Thief: The Percy Jackson Musical

April 15, 2017

Theaterworks NYC’s stage version of Rick Riordan’s best-selling novel, "The Lighting Thief," about Percy Jackson and other demi-gods, first seen in 2014, has returned in an expanded two act format that, from reaction of the audience at the Lucille Lortel Theatre, is sure to become a cult musical. This fast-paced fantasy-adventure story would not seem to be destined for the stage due to the number of special effects needed to tell the story. However, designer Lee Savage and other technicians have come up with a series of clever low tech solutions which are always inventive and always witty. Using masks, puppets and elaborate costuming, five members of the cast of seven play multiple roles which often require quick changes. [more]