Burn This
For one thing, it takes far too long for Pale, Wilson’s most outrageous and flamboyant creation, to arrive on the scene. (Malkovitch was Pale in the original production and Adam Driver is Pale now, with different but equally effective results.) For another, the premise of the play requires Anna to be overly reserved and subdued, in contrast with Pale’s constantly explosive character. The customarily sure-fire director Michael Mayer somehow seems to have accentuated those problems with lethargic consequences. [more]