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Cezar Williams

Surely Goodness and Mercy

March 14, 2019

Chisa Hutchinson’s "Surely Goodness and Mercy" has its heart in the right place but as produced by Keen Company at the Clurman Theatre it is not a play at all but an after school movie script. We know we are in trouble when we see seven sets side by side on stage on three levels when we first enter the theater. Jessi D. Hill has directed her adept cast to believable characterizations but the script is so short at 73 minutes (plus a totally unnecessary intermission) and the 30 scenes so brief (some no more than four exchanges) that we never learn enough about them. It is as though the whole story has been told in a kind of shorthand and we are expected to fill in the dots. [more]

You Wouldn’t Expect

September 26, 2018

Ms. Anselmi succeeds at imparting her solid research on the subject through her sharp dialogue spoken by her strong characters. The play falters with the addition of a chorus who are actors that appear in darkness during scene transitions to intone the names of disparate celebrities such as Charles Dickens, Johnny Cash and Mother Theresa. The explanation for these many names that are cited is that due to their personality quirks they would have been sterilized in North Carolina. That supposition is arguably a stretch, the main thing is this obtrusively weakens the momentum considerably. [more]

Summer Shorts 2014: Series A

July 30, 2014

Warren Leight's "Sec. 310, Row D, Seats 5 and 6" is the most ambitious of the three plays as it attempts to cover 20 years in the lives of three friends who share a two-seats subscription at Madison Square Garden for the Knicks games. "Riverbed" deals with the loss of a child by married couple Adam and Megan in a freak drowning accident. The theme of men's friendships when they are away from their women is also evident in the curtain raiser, Roger Hedden's "The Sky and The Limit." [more]