See You
This production is a rambunctious enterprise, and Hunter and his cast do a reasonably good job of keeping dialogue that’s made up largely of long strings of short declarative sentences (or sentence fragments) from seeming dreadfully monotonous. The actors slow down at moments, then quicken the pace, their spat lines overlapping. Some of them leave the platform in order to play in the adjacent areas for a spell. Some bring furniture onto the platform, arrange it and later reconfigure and remove it. The ensemble members work well together, and each has some fine moments. The gruff-voiced Allan-Headley, the flamboyant Reid and the lost-lamb Toth are especially memorable. [more]