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Claire Van Kampen

Farinelli and the King

December 23, 2017

Giving a performance of the caliber of his earlier Shakespeare’s Globe portrayals of the Countess Olivia in "Twelfth Night" and the title role of "Richard III" which also played Broadway’s Belasco Theatre, Rylance is mesmerizing. He is one of a handful of actors who when they are on stage you cannot take your eyes off them. Playing the gamut of emotions, as well as playing off of the audience, Rylance continually takes us by surprise at his choices. His famous speech pattern which includes hesitation is perfect for the mad king who often seems to change direction midsentence. Even when he is silent he commands the stage. As we listen to Farinelli sing, we watch Rylance’s face to see his joyful reaction which tells us all we need to know. It is no wonder that he is often called the greatest stage actor of his generation. [more]

Nice Fish

March 4, 2016

Todd Rosenthal’s remarkably atmospheric and evocative setting is waiting for the audience when they come into the theater: a huge expanse of a corrugated ice flow in Northern Minnesota in forced perspective with miniature cars, ice fishing huts and a train in the far distance. Erik, a dour, taciturn ice-fishing enthusiast played by Jim Lichtscheidl, dressed in a green parka and yellow cap, and Ron (Rylance), a fishing novice dressed in a glowing orange parka and matching hat, appear on the ice to drill holes in the frozen lake on this last day of the ice fishing season. As Ron tells us in his first monologue, “If you go into the woods, the back country, someplace past all human habitation, it is a good idea to wear orange and carry a gun, or, depending on the season, carry a fishing pole, or a camera with a big lens. Otherwise it might appear that you have no idea what you are doing…” [more]