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David Wenzel

Ode to the Wasp Woman

November 16, 2023

"Ode to the Wasp Woman," written and directed by Rider McDowell, is a play done in the style of film noir and true crime films of the 1950’s. The show focuses on the events leading up to the death of four actors from the B-movies of the 1950’s: Carl "Alfalfa" Switzer, Susan Cabot, George Reeves, and Barbara Payton. It is essentially four acts in style and dialogue that are uneven in terms of theatrical structure, but given the nature of B-movies, they fit within the two dominant styles of noir and true crime. Even though McDowell captures the feel of a B-movie, there are issues within the production that don't fit. It also takes some knowledge of B-movies in terms of genres and styles. If you do not know what the B-movies were like, you may not like the show, and even if you are a B-movie fan, you may not pick up on the resemblance to those movies. [more]

Chasing the River

February 12, 2020

The subject matter of "Chasing the River" is, of course, viable, but the play is not as nuanced and insightful as one would hope—nor is it particularly gripping. Sometimes the action feels stagey, and at other times it seems undercooked. Particularly problematic is the role of Nathaniel who is written and acted quite one-dimensionally. True, Giebel offers at least one surprising aspect of the character: We learn that he wanted a sports-playing boy-child, not daughters, and that he treated the tomboyish Kat (then called “Katie”) as a substitute for a son. We learn that he was able to gain Katie’s trust, which he then insidiously betrayed. We never wonder, however, whether he is anything other than an unrelenting nightmare of a person. There are scenes in which we see him being pleasant to Katie, but his bullying monstrousness seems always apparent. Most creeps—even the alcoholic ones—manage to hide their ugly sides now and then. [more]