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Dea Julien

A Walk in the Woods with Playwright Chip Deffaa, His Deer, and the Ghost of George M. Cohan

December 5, 2022

Deffaa comments: “I've always loved Cohan's attitude--that 'can-do' spirit of his is inspiring.  He had no formal education; he learned by doing; and left a terrific legacy.  Just a remarkable man!  No one in Broadway history ever did as many different things as well as Cohan.  He wrote book, music, and lyrics for Broadway shows that he starred in, directed, choreographed, and co-produced.  He wrote or co-wrote some 50 Broadway shows, produced or co-produced some 80 Broadway shows.  At his peak, he owned or controlled seven Broadway theaters. “Cohan’s shows--fast, funny, and unusually well-plotted for their day--laid the foundation for modern musical comedy.  It was Cohan who made America--not Europe--the pace-setter for musical theater.  In an era when musicals were often little more than collected vaudeville acts, Cohan was creating well-plotted musical plays.  And critics took note that he was advancing the artform.  George Jean Nathan, a top critic, wrote that Cohan’s musicals were “as carefully plotted as the dramas of Euripides.”  By writing book, music, and lyrics, and supervising all aspects of production, Cohan was creating musicals far more cohesive than those before.  And the best younger people working in the theater, like Oscar Hammerstein and Irving Berlin, took note and built upon Cohan’s foundation.  Cohan was a major contributor to our culture.  He was the first member of his profession honored with a Congressional medal, presented to him by President Franklin D. Roosevelt.” [more]

The Conduct of Life

September 16, 2018

Farce meets tragedy in a fictional unnamed Latin American country in "The Conduct of Life." It’s a raucous yet insightful fantasia about military oppression taking its toll on the populace by the celebrated playwright María Irene Fornés. First performed in 1985 it is being given an inspired revival by the Boundless Theatre Company that is “spearheaded by women and theatre-makers of color.” The play is structured as 19 short, often absurdly funny and sometimes unsettling scenes, some lasting just a few seconds, that total 75 fascinating minutes. [more]

STET

June 28, 2016

Rolling Stone magazine’s 2014 controversial article "A Rape on Campus: A Brutal Assault and Struggle for Justice at UVA" about an alleged rape at a University of Virginia fraternity house seemingly has inspired the author of this play, Kim Davies. Ms. Davies has taken many of the facts of that story and woven them into this fictionalized narrative that falls short of being compelling. [more]