Voices of Ascension: Tracing the Path of Zurbarán’s “Jacob and His Twelve Sons”
Before the concert, audience members were invited to a special showing of the Zurbarán exhibit at the Frick; the museum and the site of the concert – Madison Avenue Presbyterian Church – are just four blocks apart. The music of the concert was organized around the successful and felicitous conceit of a journey: the concert, according to Keene’s program notes, “follows the progress of the Zurbarán paintings themselves from their creation into the hands of the Bishop of Durham.” According to the ‘geography’ of the program, “the trail starts in Seville, home not only to the artist but to three of the finest composers of Spain’s Golden Age,” then moves to Lima, Peru with the music of Roque Ceruti – because of guesses that Zurbaran’s paintings were “intended for the New World” – and then concludes with the arrival of the paintings in England. Excerpts from George Frederick Handel’s oratorio, "Joseph and His Brethren," whose manuscript is maintained in the Durham Cathedral archives, completed the journey: Jacob and his painted sons had arrived in their permanent – and, with Handel, musical – home. [more]
