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Derek Van Heel

Mercutio Loves Romeo Loves Juliet Loves

November 16, 2024

Director Scott Ebersold works wonders with the double-edged sword of the audience knowing full well these performances are colored by the play taking place close to 20 years ago when girls this age didn’t have the benefit of understanding their gender identity as girls do in 2024. Social media and sexual education have made great strides in these decades yet we don’t for even a moment feel that Mr. Ebersold’s concept gives us a museum piece. Ebersold gets vibrant heartfelt performances from each of the three actresses. [more]

Then Silence

June 9, 2016

There’s a cascade of military interrogations, implied torture, romantic interludes, sex talk, political sloganeering, vague reminiscences, and other semi-comprehensible digressions that fill the time and that by its conclusion don’t add up to much. Initially there is a modest sense of interest in attempting to discern the events and characters depicted, but that soon evaporates and is replaced by numbness. [more]

The Hundred We Are

March 29, 2016

Swedish novelist and playwright Jonas Hassen Khemiri’s new play, "The Hundred We Are," presents an emotionally compelling view on the different stages of one’s self encountered over a lifetime. From the time we are born, until the time of our passing, we learn to adapt to our surroundings and transition from life phase to life phase, with our evolution as a human being marked as life’s most important journey. Audiences are in for a treat as this provocative and progressive new play examines many of the important social issues occurring throughout the world in a fresh and truly thought-provoking way. [more]