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Devon Abner

The Young Man from Atlanta

November 29, 2019

Yes, Mr. Foote’s eloquent take on the souring of the American Dream has shades of Arthur Miller’s "Death of a Salesman," but with his idiosyncratic and powerful command of dramatic writing he creates a distinctive narrative. Looming over and central to the play is the implied and intimated notion that Will and Lily Dale’s unmarried son was gay and committed suicide. He had moved to Atlanta, taken a marginal job and lived in a rooming house, sharing space with a male “friend” who was ten years younger. This companion is an unseen though pivotal figure who perpetually contacts the grieving parents with shattering results. [more]