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DeWitt Fleming Jr.

A Wonderful World: The Louis Armstrong Musical

November 22, 2024

Great in entirely predictable ways, especially its rich musical orchestrations and arrangements from jazz genius Branford Marsalis (he's assisted by Tony Award- winner Daryl Waters), "A Wonderful World" wastes its decided advantages by keeping Armstrong at a distance while incongruously tasking him with narrating his own life. An impassive witness to himself, Armstrong is also a bizarrely unreflective one as he meanders from place to place and wife to wife, before finally appearing with his wronged women to sing "What a Wonderful World" as an ethereal eleven o'clock number on Adam Koch and Steven Royal's protean set. To say the least, it's a lackluster concluding statement on the complexities of Armstrong's marriages, as well as his feelings about a world that, despite all of its "trees of green" and "red roses too," caused him so much pain. [more]

ON THE TOWN WITH THE “LAST OF THE RED HOT MAMAS” AT BUCKS COUNTY PLAYHOUSE

July 27, 2024

I just got back from the Bucks County Playhouse, which I always enjoy visiting, to catch the world-premiere production of “Last of the Red Hot Mamas,” a new musical about Sophie Tucker. The show’s not ready for Broadway yet. It’s got lots of flaws which need fixing, and I’ll get to those flaws shortly. But—and this is rarer and much more important--it’s also got lots of vitality. [more]

The Tap Dance Kid

February 4, 2022

Let’s start with the best:  The great Joshua Henry’s 11 o’clock number, “William’s Song,” a gut-wrenching revelatory song sung by the title character’s emotionally distant father.  Henry endows the number with the emotional punch of “And I Am Telling You” from "Dreamgirls."  Since Henry Krieger wrote the music to both songs the striking similarity is understandable.  Of course, Tom Eyen wrote the "Dreamgirls"’ vivid lyrics and librettro; Robert Lorick wrote the words for the pleasant, plot-moving score of "The Tap Dance Kid." "The Tap Dance Kid"—book by Charles Blackwell, based on the novel "Nobody’s Family Is Going to Change" by Louise Fitzhugh—is a simple domestic tale now reset in the 1950’s, gussied up with the brilliant tap choreography of Jared Grimes and the keen, vivifying direction of Kenny Leon.  But, even under Leon’s artful hand and Grimes’ beautifully performed numbers, "The Tap Dance Kid" remains a defiantly unimaginative story. [more]