Waiting for Johnny Depp
What’s best about "Waiting for Johnny Depp" is Vivino’s performance. My, does she ever get a workout during the play’s 100-minute running time. She has 15 or so musical numbers (some of them reprises), ranging from dizzyingly ecstatic to utterly despondent. She belts, rocks out, sings pretty during the ballads. She carries nearly all of the spoken word, too, though sometimes she has exchanges with the recorded voice of Rita’s highly disagreeable mother. The ghastly ringtone whenever Mom (or that agent with his caveats) calls is like a bugle blast at the gates of hell. (Sound designer Tom Valdez gets a bit of a workout too.) Vivino bounces around the stage, executes choreographer Juson Williams’ dance steps, goes offstage for quick costume and wig changes, and interacts with both the audience and musical director/pianist Logan Medland. [more]
