All My Sons
Unfortunately in a play that is already crammed full of ominous hints, O’Brien’s production is very heavy-handed, underscoring the foreshadowing with a double line under each and every clue and signal of things to come. While the play has been given a most realistic production for the backyard of a house on the outskirts of an Ohio town by set designer Douglas W. Schmidt and costumes by designer Jane Greenwood that are redolent of the late 1949’s, the actors have been allowed to emote from the moment the curtain goes up. If you don’t guess the surprise ending in this production, you haven’t been paying attention. This may be intended to suggest Greek tragedy by the final curtain but there is no need to make it look like an antique production of "Medea," "Electra" or "Oedipus the King" – which would probably be more subtly staged today. [more]
