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Elena Vannoni

Talking with Angels: Budapest, 1943

March 11, 2025

So much of "Talking with Angels" is taken up by the rantings of these otherworldly emenations, which are filled increasingly by cryptic, impenetrable spoutings referencing religious imagery, that the play loses all momentum.  Even though these Angels are the eponymous subjects, the really dramatic stretch of the play begins with Gitta’s plan to save not only her Jewish intimates, but scores of Jewish women after these Friday kaffeeklatsch idylls are suddenly interrupted as the Nazis bomb and then enter Budapest with frightening speed. [more]

The Audit & The American Dream

March 4, 2025

Urban Stages conducted a Dynamic Duos playwriting competition for one-act, two-character stories covering any subject during their 2023-24 season. Eight plays out of over three hundred submissions were chosen for staged readings. Two were selected for a full production as part of the current season. Those shows, "The Audit" by Lynda Crawford and 'The American Dream" by Juan Ramirez, Jr., opened on February 27 in a twin bill. They are both interesting stories told well with solid performances. [more]

People of the Book

October 14, 2024

“Lust, jealousy, and personal politics” are the punches promised by the publicity tag line for award-winning playwright Yussef El Guindi’s new play "People of the Book," currently on the boards at the intimately compact Urban Stages. The story centers around three high school friends, one of which has returned from the Middle East with a new bride and his newly written, soon-to-be-a-major-motion-picture celebrated book. Themes of competition, morality, and judgment are all bandied about in this ambitious play. [more]

Chasing Happy

October 24, 2023

"Chasing Happy," written by Michel Wallerstein and directed by Alexa Kelly, is a five-character comedy about a gay love triangle. It unravels like a pilot for a television sitcom that borrows characterizations from other sitcoms. Despite the efforts of a skillful, hard-working ensemble, the show never rises to the challenge of solid character development within a believable story. It was not a well-spent two hours for this reviewer. [more]

The Jester’s Wife

September 27, 2023

"The Jester’s Wife," written and directed by T.J. Elliott, is a fanciful attempt at reconstructing the source of the myth of Dymphna, a legendary medieval Irish saint who is considered the patron saint of mental illness. In telling the tale's origins, two characters create the framework what is to become the myth, and the third offers editorial commentary on their effort. While it is an intriguing idea to show how legendary myths were often created, this show does not measure up. The primary issue is the lack of a compelling interaction between the Jester and his Wife, leading to the creation of the story of Saint Dymphna. [more]

Strings Attached

September 12, 2022

From the clever double entendre title to its fantastical involvement of three famous long dead physicists, Carole Buggé’s "Strings Attached" tries very hard to rise out of the morass what is basically a sad love triangle but is ultimately overwhelmed by frippery and cliché. [more]

Sky of Darkness

June 6, 2022

Following the lead of Francis Ford Coppola’s "Apocalypse Now," Siting Yang has updated Conrad’s "Heart of Darkness" to the present but left the story mainly set in Africa. In "Sky of Darkness" as the narrator Ma Luo (Yang’s new Marlow) is Chinese, the tale is now an exposé of Chinese interference in African affairs both financial and military. However, Yang complicates the story by having it periodically interrupted by The Ghost of Nigerian novelist Chinua Achebe who famously gave a lecture criticizing Conrad’s novella in 1975 from an African point of view as racist and stereotyped. But this Achebe doesn’t object to the story as a xenophobic work of post-colonialism but criticizes Conrad for what he says he did not see. He doesn’t take into consideration that Conrad’s story is told by a series of narrators and that Captain Marlow is horrified by the repression he does see by the European rulers (in his time the brutal Belgian occupation). [more]