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Emily Jackson

Rocco, Chelsea, Adriana, Sean, Claudia, Gianna, Alex

March 4, 2019

Being described as a “theatre event,” the unwieldy titled "Rocco, Chelsea, Adriana, Sean, Claudia, Gianna, Alex" is a throwback to the happenings and performance art of the 1960’s, without having the same visceral effect. Based on original work by the devising company, playwright Dan Hasse attempts to be up to the minute by including a great many hot button issues, but the endless scenes and vignettes seem to be part of a checkoff list of items to include rather than any great need to link these disparate topics. [more]

Jessica

July 27, 2017

Vermillion writes distinctive characters who each have their own language, but fails to make his story believable or emotionally gripping by turning it into something closer to the surreal, expecting the audience to accept the rationalizations rather than science fiction.  There are moments that communicate real emotion, particularly the low-key ending, but due to the nature of the story, Vermillion finds himself spending far too much time explicating the pseudoscience behind the title character. [more]