Emily Noble

“Larina Waltz,” choreographed by Ashley Page to the lilting melodies of Tchaikovsky, opened the program.  It was a dynamic expression of the classical ballet bona fides of this youthful company. Arrayed in a line of five couples, the men in black tunics and the ladies in white tutus, they performed unison partnering showing off the easygoing style that became more evident as the program progressed.  Couples peeled off until only one remained, soon replaced by a succession of couples, all of whom performed charming, if not dazzling, turns, lifts and complicated steps, the men leaping and the women showing off balance and grace.  This was a charming lagniappe, a gift to warm up the audience’s expectations. [more]