Falsettos

Each was an individual; I liked hearing all of the different voices and accents and inflections. Each one brought his or her own personality to the work.   But—and this is a compliment--they were all performing the play in the same fundamental manner.  As performers, they were all on the same wavelength.   (Kudos to director Kelly Brady and company.)   The characters were talking with one another--not offering orations directed at the audience.  The actors all knew the material so thoroughly, they were able to speak their lines easily to each other, with utter naturalness, in a conversational way. They were giving us Shakespeare’s words.  But they weren’t delivering speeches to us; they were interacting with one another the way people in real life do.  And that made the play come alive for us.  It wasn’t a historical relic.  The characters felt like human beings, with the same sorts of feelings we all have.  We could relate to them. [more]