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Follies

ON THE TOWN…. with CHIP DEFFAA , November 8, 2017

November 11, 2017

Memo to Broadway producers: You need to do everything you can to hook the next generation while they're young. I got hooked on theater because I saw the greatest performers, the greatest shows, from when I was very young. It would be very hard for a young person of today to see as much great theater as I did, growing up. When they read about some tickets going for a thousand bucks apiece, they might well conclude that theater isn't meant to be for them, but mostly for rich older folk. I have some friends who work in the theater who say they can't afford to take their families to shows. And that worries me. [more]

ON THE TOWN with Chip Deffaa …. for July 5th, 2016

July 5, 2016

I’ve always liked Andrew Keenan-Bolger's work. He was a memorable child actor, playing leads on Broadway in shows like "Beauty and the Beast" and "Seussical," when he was around 13 or 14 years old.  I admired  his sunny, open-hearted work then.  And he's even more successful today (at age 31)  as an adult--not every child actor can make such a transition. He conveys the same sort of buoyant spirit on stage now as he did when I first saw him in those  shows he did so well as a youth.. (His whole family is talented.  He and his sisters, Celia Keenan-Bolger and Maggie Keenan-Bolger, are all making their contributions to the arts.) [more]

A Chat with Bob Avian

July 12, 2007

The creative forces with whom he has worked are a who’s who of the Broadway musical. They include Steve Sondheim, Kander and Ebb, Cy Coleman, Andrew Lloyd Webber, Claude-Michel Schoenberg, Neil Simon, Hal Prince, Tommy Tune and Cameron Mackintosh. And performers such as Mary Martin, Betty Grable, Barbara Streisand, Katherine Hepburn, Elaine Stritch, Jennifer Holliday, Diana Rigg, Eartha Kitt, Patti Lupone, Glenn Close, Julie Andrews and Carol Burnett, just to name a few. [more]

Pacific Overtures

December 1, 2004

Weidman's book is especially clever in its anecdotal cohesiveness, and with additional material credited to Hugh Wheeler, will probably be thought of as more vindicated than it was initially. Yet one wonders if the sadness we feel as we watch the Japanese lose their will to resist American determination is actually compounded by the new ending that brings Japan into the modern age and includes an image of the bombing of Hiroshima. [more]