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G.D. Kimble

What Passes for Comedy

October 31, 2022

G.D. Kimble’s "What Passes for Comedy" depicts the fascinating era of early live television talk shows and the racism and anti-Semitism which was acceptable in those days. However, it also hints at hilarious comic interludes which it does not deliver. A much better play is hiding in this material and a rewrite could make it a much more successful evening. Its lack of focus camouflages its real intentions which are quite admirable. The play is also hampered by its conventional structure which requires a good many unnecessary exchanges. Nevertheless, this is an admirable attempt at something a little different from the usual run of historical plays on the stage, an absorbing evening even when it is not clear exactly where it is going. [more]

2016 LaBute New Theater Festival

January 19, 2016

The opening one is British author Lexi Wolfe’s delightfully wistful "Stand Up for Oneself."  It’s a Chekhovian romantic comedy with clipped Noel Coward-style dialogue taking place in the room of a house where a party is going on.  Lucas, a 42-year-old morose music professor sits alone drinking with his cane nearby when the free-spirited 26-year-old Lila enters. There is flirtation and revelations.  Sensitively directed by John Pierson, the play’s very fine writing is boosted by the wonderfully detailed and effecting performances of Alicia Smith and Mark Ryan Anderson.  [more]