George Tabori

Director Nicholas Viselli’s physical staging crackles with force and exhibits visual flair with numerous arresting stage pictures. Bert Scott’s artfully simple scenic design conveys the sense of the past as does his lighting design, employing dimness, spotlights and blackouts all to great effect. Sound designer Eric Nightengale achieves an appropriate vintage vibe. While utilizing contemporary wear, Courtney E. Uruyo’s perfect costume design manages to evoke different eras of the 20th century particularly with its range of dresses and hats. Projection designer Samuel J. Biondolillo artistically melds words and imagery into a pleasing view. Crucial is the periodic inclusion of black and white footage of the Marxist Brecht testifying before the House Un-American Activities Committee in 1947. [more]