Giancarlo Osaben

A Man Among Ye

July 3, 2024

"A Man Among Ye" is episodic, with flashbacks and confusing dialogue. It is filled with sword fights, sea shanties, revenge plots, mermaids, witches, and mythical creatures. As a highly stylized dark comedy, it misses more than it hits. Despite the claims that it is based on a true story, it is mostly fiction and fantasy and lacks consistent explication. It needs a more straightforward, consistent storyline, and, in several cases, there is superficial character definition and development. The cast does a respectable job of trying to make sense of a show that doesn't know what it wants to be. [more]

David and Katie Get Re-Married

May 7, 2024

"David and Katie Get Re-Married" is the creation of David Carl and Katie Hartman. Using original songs, funny and timely commentary, and interesting props, they take a musical romp through the trials and tribulations of tying the knot again. Michole Biancosino provides outside-the-box direction for the humorously demented exploration of whether marriage is an institution or whether the people doing it should be institutionalized. In the end, it becomes clear that it is, maybe, both. It is a show to be savored in the afterglow of the experience. [more]

The Dog Show

January 16, 2023

Ivan Faute’s "The Dog Show" is ambitious in trying to tell a story by holding back on the details. Unfortunately, the method has grave, unresolved problems. For most of the first act we have no idea why it has been given this title. Neither the direction nor the script allows the performers to develop their characters who remain at the end the same as at the beginning. There is a play buried in this material but as of now it has not surfaced. [more]

The Wake of Dorcas Kelly

July 17, 2021

Early in the play, songs are sung by various members of the cast including the anachronistic “The House of the Rising Sun,” (sung twice) set in New Orleans in the twentieth century. The cast members use various accents even though all are supposed to be Irish. Characters come and go for no motivated reason and too many events happen more than once. The acting though vigorous is uneven and inconsistent, but this is mainly due to several underwritten roles which give the performers little to do and not enough backstory. The production’s pacing is deficient as parts of the play come fast and furious while others are slow, talky and languid. [more]