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Glenda Jackson

King Lear (The Shed)

November 17, 2024

Firstly, the play has been shortened to two hours without any intermissions, when most recent productions have been three and a half hours with one intermission. This makes all of the events seem to take place too soon, one on top of the other, so that the sense of a world turned upside down is never felt in the production’s rush to the end. There is little sense of turning “the wheel of fortune” spoken of several times in the play. All the actors including the 63-year-old Branagh in the title role seem too young for their parts. While Lear describes himself as “a very foolish fond old man,” in fact, in this production he is a very vigorous and hearty leader, though capricious in his decisions. The supporting cast though excellent in their diction and authoritative in their roles seem lacking in technique to make the roles both interesting and their own. The low-key characterizations damage the play’s violence and viciousness. [more]

King Lear

May 7, 2019

As the elderly king of Britain who deludedly decides to give up his kingdom to his three daughters, Goneril and Regan, the two older married ones, and Cordelia, his younger unmarried daughter, in exchange for their regaling him before his court with how much they love him, the 83-year-old Jackson dressed in Ann Roth’s fitted tuxedo and with a severe masculine haircut would seem believable casting. However in the first half of the evening (Acts I-III) which take about two hours, Jackson is nothing but haughty, sarcastic and arrogant, with little or no variety. In the production’s second half when the king who has been turned out of the castles of both married daughters (Cordelia having left the country to marry the King of France), Jackson seems mad but wise and more compassionate, turning the king’s anger on himself, but it is too little, too late. [more]

Three Tall Women

April 3, 2018

If you pay any attention to the Rialto, then you knew that Jackson was going to be in the play--the play that salvaged Albee’s reputation in 1993 and won him his third Pulitzer Prize--since it was announced last year. And I’m pleased to report, if you were anticipating Jackson doing "Three Tall Women" with high expectations, you will not be disappointed. She surpasses whatever you were expecting with a kind of fierce and cold glory, appropriate to the 92-year-old A. From B’s servitude as A’s nurse, in the first part, to her becoming the somewhat haughty, 52-year-old A, in Part 2, Laurie Metcalf negotiates the character’s huge emotional shift with ease and naturalness. [more]