News Ticker

Gregory Doran

King Lear (The Shed)

November 17, 2024

Firstly, the play has been shortened to two hours without any intermissions, when most recent productions have been three and a half hours with one intermission. This makes all of the events seem to take place too soon, one on top of the other, so that the sense of a world turned upside down is never felt in the production’s rush to the end. There is little sense of turning “the wheel of fortune” spoken of several times in the play. All the actors including the 63-year-old Branagh in the title role seem too young for their parts. While Lear describes himself as “a very foolish fond old man,” in fact, in this production he is a very vigorous and hearty leader, though capricious in his decisions. The supporting cast though excellent in their diction and authoritative in their roles seem lacking in technique to make the roles both interesting and their own. The low-key characterizations damage the play’s violence and viciousness. [more]

King Lear (Royal Shakespeare Company)

April 20, 2018

The Royal Shakespeare Company’s latest "King Lear," as directed by Gregory Doran, is one that needs no explanation and no program notes. At one and the same time both medieval and contemporary, this production solves many of the questions that often go unanswered. In a glorious cap to his distinguished career, Sir Antony Sher gives a memorably luminous and unambiguous performance in the title role which should stand as a bar by which others will be measured. This is not only the perfect starting point for those unfamiliar with the play but also an excellent and notable interpretation for those who know it well. [more]

King and Country: Shakespeare’s Great Cycle of Plays

April 20, 2016

The Royal Shakespeare Company’s "King and Country: Shakespeare’s Great Cycle of Kings" is a magnificent achievement and a fitting tribute in this 400th anniversary of the bard’s death. Not only are the four plays an accessible presentation of what is often confusing for Americans unversed in British history, but taken together they are a very great study in the use and abuse of power and authority in this year of our own contentious political wranglings. Gregory Doran’s unfussy and intelligible productions set a bench mark by which others will be measured and offers star performances that should become legendary. [more]