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Herman Cornejo

Tango After Dark

March 6, 2025

"Tango After Dark" came across as more of a slick cabaret act, albeit one that was performed and staged with professional polish.  The dramatically focused lighting by original designer Charlie Morgan Jones (Clancy Flynn, assistant lighting designer and USA tour) gave theatrical flair to the choreography which, though a limited vision of this dance form, was entertaining and, at times, quite exciting. There’s nothing wrong with entertainment or excitement even if it isn’t high art.  This ensemble provided two hours of fantasy even if it was a glib take on the Tango.  It was a good show and a good time. [more]

Anima Animal (Grupo Cadabra)

February 22, 2025

Featuring ballet great and former American Ballet Theatre star, Herman Cornejo in the leading role, "Anima Animal" was choreographed by Anabella Tuliano on Cornejo’s ballet concert group from Argentina, Grupo Cadabra. A creation-themed work, the long program notes detailed the complex folk vision of the world, a story that once fascinated the legendary ballet titan, Vaslav Nijinsky when the Diaghilev Ballets Russes toured South America during the First World War. [more]

Twyla Tharp Dance: Winter Season 2024

February 20, 2024

Like her masterful Sinatra solo for Mikhail Baryshnikov, “Brel” takes Cornejo from a strolling meditating figure (“Quand On N’A Que l’Amour”) to an anguished lover (“Ne Me Quitte Pas”).  Cornejo twists and thrashes until the song “Amsterdam” had him gliding all over the stage.  The mood rises through “Les Marquises” and “Marieke,” matching Brel’s penchant for crescendo, leading Cornejo into jags of runs, leaps, turns and wilder gestures. Although not as immediate a success as her other ballets to songs, “Brel” will soon be a favorite of solo danseurs all over the ballet world. [more]

Romeo and Juliet (NAATCO/Two River Theater)

May 20, 2023

And the production is loaded with action. Except for the tender love scenes, the play moves at almost breakneck speed. Where most modern productions of Shakespeare tend toward languor, this "Romeo & Juliet," skillfully directed by the playwright and her co-director Dustin Wills, fills the moments that traditionally let the mind wander.  A couple of back-to-back scenes that inform the audience, but with virtually the same content, are now played simultaneously. This makes the audience work more industriously to listen and separate out the conversations and Hansol Jung’s contemporary take on Shakespeare’s text make it that much easier to accomplish. [more]

Artists at the Center: Tiler Peck

March 8, 2022

By far, the audience favorite was the world premiere “Time Spell,” an entertaining attempt at a hybrid of tap dancing (choreographed by Michelle Dorrance and Jillian Meyers) and ballet (choreographed by Peck) with the assistance of Byron Tittle.  The musicians Aaron Marcellus and Penelope Wendtlandt provided witty a cappella close harmony vocal accompaniment, even occasionally joining in the dancing. The alternating of tap dancing and ballet began slowly with the two dance forms not combining easily, but as the speed picked up so did the similarities until the ballet dancers were tapping in their toe shoes and the tappers were bourrée-ing in their tap shoes.  The large cast included Dorrance, Meyers, Peck, Lovette and Mejia. [more]

New York City Center’s 2021 Fall for Dance Festival – Program 5

October 25, 2021

For something completely different, New York City Center commissioned and presented Ayodele Casel’s tap dance company for the world premiere of "Where We Dwell." A crowd-pleasing, often rousing production of tap-dancing choreography, it highlighted the various ways that tap dancing can entertain and enlighten. Amplified, it was astonishing to hear all the sounds created by tap shoes on the feet of extraordinarily gifted dancers. [more]