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Idris Goodwin

Bars and Measures

October 27, 2019

The play’s dynamic—with the two brothers trying to stay in sync even as they find themselves polar opposites in nearly all areas of their lives—seems at points to make the play a kind of clunky “what if” scenario from a modern-problems textbook (the punny title doesn’t help). However, Goodwin’s talent for writing smart, occasionally amusing dialogue and for making his characters seem like real people rather than emblems largely mitigates that concern. Also, the work of the actors in this production is quite strong. [more]

Hype Man: a break beat play

November 21, 2018

“Hip hop gave me my name” says Peep One, a captivating young mixed race woman who is a beat maker; the one who crafts the tune for a hip hop song. This is one of numerous pertinent details imparted in playwright Idris Goodwin’s exhilarating drama "Hype Man: a break beat play." Mr. Goodwin’s vision is theatrical, his dialogue is sharp, and he crafts a clenching scenario.  The title refers to the backup rapper who supports the star rapper by chiming in with his own declarations and stirring up the audience. [more]

Summer Shorts 2016 – Series B

August 15, 2016

Richard Alfredo’s 'The Dark Clothes of Night," a brilliant parody/homage to film noir and hardboiled fiction, the third play of Summer Shorts – Series B, is so good it alone is worth the price of admission. The other two plays which precede it in this year’s 10th Festival of New American Short Plays have interesting but undeveloped premises. But "The Dark Clothes of Night" is an instant classic, a humorous satire that is also a brilliantly theatrical study in paranoia, fear and evil and the elements that made film noir irresistible. Directed by playwright Alexander Dinelaris, the three actors in this memorable short work play multiple roles with assurance and aplomb. [more]