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Igor Golyak

Our Class

September 18, 2024

Under Igor Golyak's hyper-inventive direction the production's form is masterfully daring, ignoring the barriers of past, present, and future, as well as performance and life. Golyak's double disrespect for temporal and fourth-wall distancing is most evident in the actors' frequently unsettling playfulness, including a foreboding sing-a-long with the audience during a pretend Jewish wedding. Smilingly staged by both Catholic and Jewish classmates when such interreligious bonhomie was still possible, the echoes of these characters' younger, imaginative selves continue to linger as some of them mature into monsters, their brutality imbued with an anachronistic childlike quality that strengthens the devastating sense of a lost innocence. [more]

Our Class

January 26, 2024

Tadeusz Slobodzianek’s "Our Class" is epic in its storytelling and shocking in its specifics. At three hours, the play is never long or boring as every line of dialogue offers new details to be digested as ten lives are laid out for us. While rather busy Igor Golyak’s production is always illuminating, always compelling. The cast of ten mostly young actors, many unfamiliar to New York audiences, are always riveting as they tell their individual and intertwining stories. What may be most shocking is that in Jan Gross’ prose account in his 2001 book "Neighbors: The Destruction of the Jewish Community in Jedwadne, Poland" he reveals was that this is not the only Polish town in which these atrocities against the Jews took place. One realizes why the world premiere of "Our Class" took place in Great Britain and not Poland. [more]

The Orchard

June 26, 2022

Such an event is the high-tech adaptation at the Baryshnikov Arts Center calling itself "The Orchard," conceived and directed by Igor Golyak, described as based on "The Cherry Orchard" by Anton Chekhov as translated by Carol Rocamora. If you don’t know the play, you will be entirely at sea. If you know the play, you will marvel at all the totally unnecessary tricks used by the director that do nothing to help with understanding the play or ferreting out its meaning. Although the production has a fine cast headed by Mikhail Baryshnikov and Jessica Hecht, the actors are swamped by all the unnecessary trappings around them. [more]