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Jason Tam

Fairycakes

October 26, 2021

This mashup proves to be both too convoluted and too long at two hours and 20 minutes. Beane has, however, given the play a top flight send off with a starry cast of some of the most distinctive and unique actors on the New York stage: Julie Halston, Jackie Hoffman, Arnie Burton, Ann Harada, Mo Rocca and rising stars Kristolyn Lloyd (Grammy Award winner for "Dear Evan Hansen") and Jason Tam ("Be More Chill," "Lysistrata Jones," "Marry Me a Little," etc.)  The biggest problem is that as these performers all have their own styles, the production seems to pull in many different directions with no one appearing to be in the same play. Most satisfying are the lavish and eye-filling costumes in a rainbow of fabrics and colors by Gregory Gale which take your mind off the play and should win awards at the end of the season. [more]

Be More Chill on Broadway

April 19, 2019

"Be More Chill," the dazzling and inventive musical based on the cult Young Adult novel by Ned Vizzini, has made a successful transfer to Broadway Lyceum Theater with the same cast and an expanded production team after a tryout production at Two Rivers Theater in Red Bank, New Jersey in 2014, and a YouTube soundtrack that has had over 150,000,000 hits which led to an Off Broadway production at the Pershing Square Signature Theatre Center during the summer of 2018. If memory serves after ten months, in some ways the show is strong and in other ways weaker. Bobby Frederick Tilley II’s costumes are more colorful, while Charlie Rosen’s orchestrations seem to be less so. On the plus side the performances of Will Roland as Jeremy, Jason Tam as the Squip, Tiffany Mann as Jenna and Lauren Marcus as Brooke have deepened. The show seems less comfortable at the Lyceum Theatre than it was at the Irene Diamond Stage but a good many more fans can now get to see the show at each performance. [more]

Be More Chill

August 27, 2018

"Be More Chill" is an impressive musical version of Ned Vizzini’s cult novel. Not only does it reproduce the plot on stage, it also gives it a high tech look that dramatizes the story where the novel left it to the imagination. Joe Iconis, long thought to be one of the most promising new theater composers, makes good on that promise, and Joe Tracz demonstrates for a second time that he can put difficult material on the stage. While Ryan Rumery’s overly loud sound design will turn off older theatergoers who are not more chill, those in the swing of things will have a memorable evening in the musical theater. [more]