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Joshua Turchin

Forbidden Broadway: The Next Generation

October 17, 2019

This is the latest edition of creator, writer and director Gerard Alessandrini’s enduring musical spoof skewering present and past NYC theater that he inaugurated- in 1982 and has had over 20 incarnations. Mr. Alessandrini’s erudite, affectionate and acerbic script once again lambasts Broadway while lovingly celebrating its history during its 20 numbers. “Theater isn’t art, unless it hurts.” It’s that aching sense of the collectively treasured memorable greatness of Broadway clashing with its mercenary concerns that enables each version of the show to resonate while entertaining. Plus, it’s very funny and offers a showcase for talented malleable performers. [more]

The Pill

January 29, 2018

This comedy/drama/fitful musical also suffers from major tonal challenges, as it strains to push all of our emotional buttons. It’s a shame, because the cast gives it their all. Particularly good is Zoe Wilson, as Leni, a severely depressed teenager whose body dysmorphia has led to self-cutting and bouts of suicidal ideation. Wilson is just the right mix of pained and angry. Whenever she speaks, or sings, The Pill feels centered and we’re ready to delve deeper into Leni’s personal struggles. [more]