The Hard Nut
The main difference is the delightfully over-the-top, campy production that takes the audience into the fertile mind of Mark Morris and his artistic colleagues. The mostly black and white scenic design by Adrianne Lobel features circular prosceniums within circular prosceniums, exaggerated furniture and, wittily, a gigantic world map with lights indicating where the different ethnic dances—Chinese, Spanish, Russian---are from, as if Martin Pakledinaz’s hilarious costumes didn’t already tell the story. [more]
