Convention
Regrettably these achievements are marred by hollow tangents, diluting the play’s potential power. Having come up with a such a novel premise, Rocco is carried away by a concern with form rather than straightforwardness. Much of it plays out like subpar Robert Altman with empty cross talk, heavy- handed overlapping dialogue and strained comedy. The whimsical device of a hotdog vendor caught up in the action is overused and becomes a drag despite Brandt Adams’ gruff charm and masterful comic timing. [more]
