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Katie McHugh

Jasper

September 21, 2022

Most poignantly, when Drew starts to wonder if maybe their son's survival has been the opposite of a blessing, Andrea expresses horror for a thought that, thanks to Pimentel's touchingly subtle performance, we know she's had herself. To its strongest credit, MacDermott's play affords all three of its actors the opportunity to find meaning beyond their characters' words. Though, of course, with a less capable trio, this sort of dramatic freedom could have been a disaster. [more]

In the Bleak Midwinter

September 11, 2018

In 14 concise scenes lasting 85 minutes, Ms. Lyman quite skillfully transforms the familiar premise of a resolute aged person clashing with her relatives over giving up her independence into an engrossing play. The characters are all fully developed, background information is smoothly imparted and the dialogue is a rich blend of humor and emotion. The plot has suspense and resonance as both arguments are set forth with equal validity. Lyman has also written a great part for herself. “I got a nice leg of lamb. Not as nice as what Eileen and Ed used to raise, but now she’s in Florida and Ed’s dead. Costco’s my butcher now.” [more]

Places

July 29, 2017

"I wanted the audience to see 'Places,' not as a ‘museum’ piece, but a piece that was relevant TODAY. Nazimova was fighting the things in the 19th century and early 20th century that we are still fighting…," explains Nordlinger, who also wrote the show, in publicity materials for the production. Her conceit is that Nazimova exists as a ghost and cheekily addresses the audience directly. Her skillful, well-researched and assembled biographical facts are laced with feminist slanted commentary, and knowledge of events that occurred after Nazimova’s death. [more]