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Kim Blanck

Suffs

May 3, 2024

The transfer to Broadway has brilliantly expanded the show.  The new production designed by Riccardo Hernández (scenery), Paul Tazewell (costumes), Lap Chi Chu (lighting) and Charles G. LaPointe (wigs & hair) brings Taub’s script to vivid life, much better than the more didactic and spare Public Theater rendering.  These artists put Taub’s script into historical context making the battle all the more vibrant. The new version also has rethought the casting, reshuffled and improved the songs and, more importantly, is more focused and effective in telling about the conflicts—internal and external—that plagued the suffrage movement.  These included dissonance between Catt and Paul; the thorn-in-the-movement’s side of the Black contingent led by the brilliant Ida B. Wells (a charismatic Nikki M. James); and the far left, Socialist ideals of the hothead Ruza Wenclawska (Kim Blanck, brilliantly avoiding caricature). [more]

Octet

May 29, 2019

Malloy, who wrote the book, music and lyrics, has taken a novel approach, staging Octet as if it were a 12-step program in which all the members of the group express their inner thoughts through a cappella singing all the while following the precepts of an AA or OA meeting.  Annie Tippe has taken this sophisticated mass of brilliance and shaped it around the sensational talents of a small cast which performs miracles of acting and singing. [more]

Folk Wandering

March 6, 2018

They’re friends in the present. Someone picks up yellowed newspaper articles from the past.  Then we’re in New York City’s Lower East Side in 1911. We meet the spunky 13-year-old Roselia.  She is the daughter of immigrants and her goal is to become a muckraking journalist.  An exposé of the local butcher was one of her scoops that have been published.  Her older sister is to marry a genial young man.  Her parents are very affectionate but due to their hardscrabble circumstances it’s decided that after her impending 14th birthday, Roselia will leave school to join her mother and sister in working in a garment factory to bring in more money to the family. This heartbreaking thread is the most substantive, affective and dramatic of the three tales.  The girlish and luminous Lena Hudson makes a great impact as Roselia. Kate Loprest’s practical but maternal characterization of the mother is perfect.  “The House on Ludlow Street” is a haunting song that is woven through the narrative. [more]