Kristolyn Lloyd

Sally & Tom

April 29, 2024

In the very first scene it becomes apparent that we are watching "The Pursuit of Happiness," a new play from the Good Company, an indie theater group that has been known for radical and experimental work that no one came to see but now wants to reach a wider audience and find a producer who will foot the bill. African American playwright Luce is in an unmarried relationship with her director and costar Mike, similar to that of Sally and Tom whom they are playing, and just like Sally Hemings who bore Jefferson six children, Luce discovers that she is pregnant. The play alternates between scenes backstage among the actors in their dressing rooms and onstage as they rehearse the play with opening night only two days away, making changes as they go along. [more]

Confederates

April 12, 2022

Dominique Morisseau’s "Confederates," her second play of her Signature Theatre Residency 5, is a clever, but overly talky dissertation on race, power and family. She offers the audience parallel stories alternating between the Civil War era and modern day academia. The contemporary plot involves Sandra (Michelle Wilson, solid), a Black political science professor who is the victim of a racist insult. A period photograph of a slave wet nurse, white infant attached to her breast, was altered to superimpose her head on the slave’s. Finding the culprit spurs Sandra to think about the precariousness of being a Black woman in academia. [more]

Fairycakes

October 26, 2021

This mashup proves to be both too convoluted and too long at two hours and 20 minutes. Beane has, however, given the play a top flight send off with a starry cast of some of the most distinctive and unique actors on the New York stage: Julie Halston, Jackie Hoffman, Arnie Burton, Ann Harada, Mo Rocca and rising stars Kristolyn Lloyd (Grammy Award winner for "Dear Evan Hansen") and Jason Tam ("Be More Chill," "Lysistrata Jones," "Marry Me a Little," etc.) The biggest problem is that as these performers all have their own styles, the production seems to pull in many different directions with no one appearing to be in the same play. Most satisfying are the lavish and eye-filling costumes in a rainbow of fabrics and colors by Gregory Gale which take your mind off the play and should win awards at the end of the season. [more]

Little Women

June 19, 2019

Kate Hamill who has had success with "Sense and Sensibility" (Bedlam), "Pride and Prejudice" (Primary Stages), and "Vanity Fair "(The Pearl Theatre) has now turned her sights to Louisa May Alcott’s beloved novel of growing up, "Little Women." With this stage adaptation she seems to want to have it both ways: although still set during the Civil War with the women in long dresses and singing “The Battle Hymn of the Republic,” Jo wears men’s clothing and she and Laurie often speak of feeling like they do not fit their gender role. A note in the script states that the play “MUST be cast in an inclusive fashion. It is an American play, and should reflect America today.” As a result, the Primary Stages production makes the March family sisters Hispanic, African American, and Caucasian. This new "Little Women" has a modern sensibility at war with the material. [more]

Blue Ridge

January 19, 2019

Ireland gives a big performance that is almost larger than life. From the moment we meet her, she commands the stage. Watch how intently she listens to the others or how you can hear her thoughts clicking away as to how to avoid the rules she doesn’t like. It is almost exhausting following her as she is always doing something with her hands, her body, her voice, her total instrument. This is the sort of complete theatrical commitment that makes legends and would be dangerous for an unstable performer. Try taking your eyes off her while she is on stage – you simply can’t do it. However, unlike her Alma Winemuller in last season’s "Summer and Smoke" where she made all of the other characters disappear, her Alison is held in check by the other actors who have their own axes to grind, pun intended. [more]

Paradise Blue

May 25, 2018

In many ways Dominique Morisseau’s "Paradise Blue" shares similarities with August Wilson’s brilliant, if long-winded, Pittsburgh based plays. "Blue" is part of Morisseau’s Detroit Project, a three-play cycle that takes place in three different eras. Blue, developed with the aid of the Williamstown Theatre Festival, the Public Theater and the McCarter Theatre is a snapshot of desperate people occupying a part of Detroit on the verge of vast changes—read gentrification. [more]

Hamlet (Mobile Unit 2016)

September 24, 2016

The single disadvantage of director Patricia McGregor’s approach is that in cutting so much text, the events of the play seem to occur one on top of each other, making the play a bit melodramatic, and a good deal of character development is sacrificed by the way. However, with dangerous-looking fight direction by Lisa Kopitsky and intriguing movement by Paloma McGregor, this is a "Hamlet" that lives up to its mission to be accessible and entertaining to all, those who know the play well and those seeing it for the first time. [more]

Dear Evan Hansen

May 10, 2016

The way Mr. Levenson keeps things moving is both clever and exhausting. The songs mostly explore the inner emotional lives of the characters: “Waving through a Window” (Evan’s feelings of alienation); “Anyone Have a Map?” (frustrations of the two moms); “To Break in a Glove” (Larry Murphy’s heartbreaking song of unfulfilled paternal rituals); and the heartbreak and promise of “For Forever” which ends the show. [more]