Laika

Heyman and the rest of the production team quickly turn "Space Dogs" into an exercise of quantity over quality. More lights. More noise. More projections. More props. It's theater as sensory overload, with success measured by distraction. The major problem is that it also leads to a lot of other annoyances, with Nathan Leigh's sound design doing nothing for the intelligibility of Hughes and Blaemire's lyrics, Mary Ellen Stebbins' concert lighting occasionally blinding the audience in MCC's small off-Broadway space, and Stefania Bulbarella's numerous projections just stoking the meaningless hurly-burly. [more]