Leah Gelpe

Scene Partners

November 19, 2023

It takes an artist of the stature and extraordinary talent of Wiest to keep Caswell’s fragmented play from flying off in all directions as it veers from reality to fantasy and from flashback to the present. Or, is the entire plot, which takes an embittered 75-year-old widow from the depths of the Mid-west to the depths of Hollywood, just a figment of her yearning imagination? The tale of Meryl Kowalski (both names exuding meaning) is of the oft-told a-star-is-born genre: an unknown hopeful, through lucky breaks and gumption, manages to become a movie star. Sounds simple, right? Not here. Caswell ("Wet Brain' and "Man Cave") will not allow her story to be told in a linear fashion. [more]

Log Cabin

June 26, 2018

Harrison’s dialogue is well-crafted and often in setup punchline mode peppered with plentiful pop culture references that falls flat. The overall effect is of a rote accumulation of touchstones appealing to this strata. It’s all without resonance unless one is like the characters being depicted. It’s certainly possible to dramatize the concerns of differing classes with cross-sectional interest but that is not the case in "Log Cabin." This title is most likely a play on Log Cabin Republicans who are gay and might reflect that some of the characters are actually more Conservative then they let on. [more]

Mary Jane

October 4, 2017

The ambiguities in Mary Jane’s character seem to stem more from the writing than the acting: though her behavior remains dubious or questionable, Mary Jane comes to real life as enacted by Carrie Coon, who was such a memorable Honey in the recent Broadway revival of "Who’s Afraid of Virginia Woolf?" She’s a solid Mary Jane as well, but then, the character and her motives prove harder to pin down. The stalwart New York actress Brenda Wehle is a perfectly believable and no-nonsense Ruthie. The always reliable Liza Colón-Zayas is Alex’s caregiver Sherry, and Danaya Esperanza and Susan Pourfar are persuasive as, respectively Sherry’s niece and another mother with similar challenges. [more]

Antlia Pneumatica

April 7, 2016

Rachel Hauck’s scenic design is the most outstanding feature of the interminable "Antlia Pneumatica." Ms. Hauck accurately and vividly represents the Texas ranch setting by an elaborate kitchen counter top in the center of the bare stage that is surrounded by shrubbery. It’s very functional as much of the activities involve preparing a feast. [more]

Night Is a Room

December 2, 2015

The pleasure of" Night Is a Room" is watching these three expert actors speak Wallace’s rich, insightful language which veers from wittily highfalutin to excitingly vulgar. Charting their emotional reactions which teem with hyperbolic outbursts, she has her finger on the pulse of these three self-deluders. Bill Rauch directed with total comprehension, walking a fine line between permitting the audience to observe the drama and also be mystified and appalled by these awful people. [more]

The Invisible Hand

December 22, 2014

Pakistani-American playwright Ayad Akhtar has been having a very good year. His second play, "The Who and the What," had its premiere this summer at Lincoln Center’s Claire Tow Theatre as part of the LC3 season. His 2013 Pulitzer Prize winner "Disgraced" reopened on Broadway on October 23 at the Lyceum Theatre to critical acclaim. And now New York Theatre Workshop is giving the New York premiere of his play "The Invisible Hand," under the direction of Ken Rus Schmoll. While the first two plays took place in the United States, this new play takes place in Pakistan. The play suggests that the roots of terrorism are not religious but monetary. [more]