New York City Electroacoustic Music Festival 2018: Excellence
In the very first concert, one of the finest – and also longest – pieces of the Festival was Marie-Helene Bernard’s BOA Sr (1.5, i.e. Concert 1, piece 5). In 2010, Bernard read the obituary of an old woman living in the Andaman Archipelago in the Bay of Bengal; she was the last person alive to speak the Bo language, and at the end of her life, with no one left to talk to, she spoke to the birds. This fixed media requiem piece uses fragments of an anthropologist’s recordings of the old woman’s voice with electronic musical sounds. From its beginning, this work evokes the past by preserving the voices of its ghosts; humanness is stretched out into something cosmically airy. It is a mysterious and gorgeous work, a modern anthropological moment turned into a myth of simultaneous loss and eternity. [more]
