Mark Evancho

La Viuda (The Widow)

July 21, 2024

María Irene Fornés’ rediscovered "La Viuda" is a valuable addition to her better known canon. It is a challenging play in that it is basically an 80-minute monologue with other characters in flashback occasionally interrupting Angela’s narration. Director Olga Sanchez Saltveit makes a fine case for this play with a spirited and lively production but she has not solved all of the play’s inherent problems. Performed in repertory with Sam Collier’s "A Hundred Circling Camps," "La Viuda' is a worthy part of Dogteam Theatre Project’s inaugural season. [more]

A Hundred Circling Camps

July 20, 2024

A Hundred Circling Camps, written by Sam Collier and superbly directed by Rebecca Wear, is a story based on the "Bonus March" of 1932. It is more than a play about a historical event. It is also a commentary on the nature of citizens exercising their right to assemble and petition the government to redress grievances, rights established in the First Amendment to the U.S. Constitution. It is a show worth seeing because of its story and the actors' performances. The Bonus March of 1932 was a demonstration by veterans of World War I asking that the financial promises made by the U.S. government be honored in advance of the original payment date of January 1945. The economic situation for people in the United States was desperate during the Great Depression, and the veterans, most with families to support, felt that the money promised would help them survive. [more]

Sex, Grift and Death: An Evening of Plays by Steven Berkoff and Caryl Churchill

July 18, 2022

For its 35th anniversary, PTP/NYC (Potomac Theater Project) continues is exploration of little known British plays by major playwrights with the New York premieres of one acts by Steven Berkoff and Caryl Churchill. The triple bill entitled "Sex, Grift and Death" includes the first local productions of Berkoff’s "Lunch" and Churchill’s "Here We Go," as well as the first NYC revival of Churchill’s "Hot Fudge," last seen here at The Public Theater in 1990. While the productions directed by Richard Romagnoli (Berkoff) and Cheryl Faraone (Churchill) are fine as far as they go, they all seem a little too underheated to be truly theatrical for these in-yer-face, confrontational authors. The evening’s title sums up the themes of this triple bill. [more]

Havel: the Passion of Thought

July 24, 2019

The three Havel one acts, known as "The Vanek Plays," though written separately, were originally banned in Czechoslovakia and performed secretly in people’s living rooms as well as being passed around in hand-written copies. They all deal with Vanek, a dissident playwright unable to have his plays produced, who is now working in a menial job, an alter ego for its author and his experiences under Communism. The problem with filling out the program to include both Pinter’s "The New World Order" and Beckett’s "Catastrophe" (dedicated to Havel) is that since the plays all have the same theme and development, it feels like overkill. [more]

Arcadia

July 23, 2017

The joy of Stoppard’s writing comes to the fore as the second act characters debate what happened in the first act, too often getting it all wrong, misinterpreting the evidence or jumping to too many conclusions that aren’t justified. These actors are so enjoyable to watch that we can only sit back and enjoy their self-delusions. [more]

Pity in History

July 20, 2017

"Pity in History" was a teleplay commissioned by the BBC, and was broadcast on July 4, 1985. In the cast were Alan Rickman as the chaplain, Ian McDiarmid as the cook, and Anna Massey as the widow. Significantly, the era depicted was that of when it took place, reflected by period costumes and décor. Clips of it are on YouTube. [more]

No End of Blame: Scenes of Overcoming

July 22, 2016

Director Richard Romagnoli who also staged the 2007 production and he has done an excellent job of visualizing the scope of the scenes. Action on the battlefield, political conflicts in Moscow and German atrocities in the Ukraine are all exciting. A life drawing class sequence at a Budapest art school is quite compelling. A longhaired female model makes sardonic observations from atop a ladder as the students in long white coats swirl around her. It recalls the stunning achievements of Derek Jarman and Peter Greenaway in their art house films. [more]

Pentecost

July 28, 2014

Director Cheryl Faraone knows that to keep the ideas going it is vital to have her characters be seen as human as possible so that we are not confronted with stereotypes and agit-prop, so that we become invested, begin to put our own values on the line. I particularly liked Jonathan Tindle, Alex Draper, Nina Silver, Lawrence Nathanson and Matthew Ball. A unique, priceless artifact, a creation of the finest in the human psyche, precious to the world, versus a gypsy baby, a gypsy mother, a Bosnian, a Kurd, a Palestinian Kuwaiti, an Azeri, a Mozambican, an Afghan, a Ukrainian, a Russian, how can we decide? [more]