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Matt Williams

Fear

October 28, 2019

"The Cosby Show," "Home Improvement" and "Roseanne" are among Mr. Williams’ prominent credits as a television writer and producer. Williams also has had several plays produced and has directed a number of theater productions. Fear is in the venerable tradition of "The Petrified Forest" and "The Desperate Hours" with dashes of "The Bad Seed." It exhibits a technical facility for dramatic writing with its sharp dialogue delivered by its diverse well-drawn characters enmeshed in a suspenseful scenario out of French cinema. Lamentably, Williams doesn’t go all the way in rendering Fear’s classic whodunit aspects. It all plays out inconclusively and without satisfaction. [more]

Actually, We’re F**ked

March 9, 2019

In between scenes, the play’s lighting (by Paul Miller) and sound (by M.L. Dogg) conspire to create a hallucinogenic, disorienting slideshow of animals and rotting metropolises — a reminder of the massively dysfunctional world in which the characters of "Actually, We’re F**ked" are potentially raising children. Mind you, the question of whether or not to raise a child in 2019, along with lengthy discussions about genitalia, is essential to this play. And the answer to that question, according to "Actually, We’re F**ked," is much more lovely and hopeful than you might expect. So go see this show if you want a road map for emotionally processing the very f**ked America we live in right now — or very detailed and accurate instructions on how to break into a company server. That is something that appears in this play as well to quite amusing effect. [more]