News Ticker

Melody A. Beal

a photograph / lovers in motion

February 21, 2020

Now that The Public Theater’s 2019 revival of the late Nzotake Shange’s "for colored girls who have considered suicide/ when the rainbow is enuf" has been critically acclaimed once again, The Negro Ensemble Company is reviving her only dialogue play, "a photograph / lovers in motion," in a new version. Originally produced at The Public Theater in 1977 as "a photograph / lovers in cruelty," the play was later revised and renamed for a 1982 production at the Houston Ensemble Theatre. The new version adapted and directed by Ifa Bayeza, the playwright’s sister, makes the play more of a choreopoem like Shange’s other plays and shifts the focus from the photographer Sean David to Michael, a female poet and dancer, adding poems for her to recite. The two titles of the play are still applicable as according to the director the relationship between Sean and Michael is both a duel and a duet. [more]

Imminently Yours

June 22, 2019

The comedy "Imminently Yours," written by the mononymous “Karimah” and staged by The Negro Ensemble Company, is largely about the importance to communities of honoring their “elders.” It’s appropriate, then, that two stalwarts of New York’s African-American theater—Dorothi Fox and Arthur French—have major roles in the production. Both of these actors have been plying their trade on New York City stages for decades (and they’ve done considerable screen work as well). The two hold their scripts onstage here and occasionally refer to them (or at least they did on the opening-night performance under review). This is moderately distracting at points—but the two are pros and, in a way, the production would have been poorer without their venerable presence. [more]

Hercules Didn’t Wade in the Water

May 20, 2018

"Hercules Didn't Wade in the Water" is the winner of the Negro Ensemble Company, Inc.’s 2017 Emerging Playwrights Competition and this is its premiere. Michael A. Jones’ passionate eloquence and the strong performances compensate for the production’s limited presentational values.  [more]

A Soldier’s Play

October 1, 2017

Director Charles Weldon acted in the 1983, Mark Taper Forum’s Los Angeles production, and besides his meticulous casting he has perfectly rendered this revival. Mr. Weldon’s physical staging inventively, precisely and aesthetically utilizes the large stage to faithfully realize the material. [more]